The Clinton Herald, Clinton, Iowa

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March 1, 2013

100 years later, a brave suffragette on a horse still inspires

WASHINGTON — At the 100th anniversary of Washington's Women's Suffrage Parade on Sunday, participants will march in the bold tradition of suffragette Inez Milholland — even if they, and most of America, have never heard of her. Of all the images and people invoked during this centennial celebration, perhaps the least remembered is the one woman said to have died for the cause.

Milholland, 27, sitting astride a white horse, in white, flowing, Joan of Arc robes is the most iconic image of that 1913 march. When she died three years later, she was hailed as a martyr of the women's suffrage movement. That she is barely remembered today is part of the challenge and frustration for those who advocate for greater attention to women's history and for those trying to build a national women's history museum on the Mall.

The march, sponsored by Delta Sigma Theta sorority and including the National Women's History Museum, the Sewall-Belmont House Museum and the National Organization for Women, retraces the original 5,000-person march down Pennsylvania Avenue. It will feature women in period costumes and focus broadly on women's equality.

But in 1913, it was all about the vote.

Milholland, raised in a wealthy Brooklyn family, was educated at Vassar and had a law degree from New York University. Her father was a writer for the New York Tribune, and her parents supported progressive causes, including suffrage and civil rights. She was on the leading edge of educated women advocating for civil, labor and women's rights. She said she proposed to her husband, Dutch importer Eugen Jan Boissevain, as part of her "new freedom" as a woman.

Milholland and Alice Paul, whom history remembers as an architect of women's suffrage, organized the 1913 march, and infused it with allegory and symbolism. Justice, liberty, peace and hope were represented by women in robes and colorful scarves, accompanied by the sound of trumpets. Milholland helped wrap the broad themes of American life in canny visual appeals, including her youth and beauty at a time when suffragists were derided for being unfeminine and lacking respectability.

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